A Winter Spring Day

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We’ve been having a long stretch of glorious weather here. It’s been sunny with highs in the low 60s for almost a week, not your ordinary Seattle February weather. On Saturday I went to Carkeek Park with my daughter, Eden and my BFF, the Corey. It’s a park along the Sound about a ten minute drive from my house and I go there often. It’s got a lovely stretch of rocky beach, a salmon stream, and woody bluffs overlooking the water. And I logged a lot of hours at the playground when the kids were little.

We arrived on the beach mid-afternoon, not in any hurry. The tide was really high and we saw a seal about 15 feet out from the shore. Then we heard a shout and looked out at the water. Orcas! A pod of at least seven individuals were slowly making their way South, not too far out and easily seen with the naked eye. It was amazing. I’ve lived in Seattle for over 30 years and I’ve never seen them from the shore before. If you click on the link below you’ll see a video taken from Golden Gardens Park just South of where we were.

Orcas!

Many people get a little depressed here in the Winter because the days are so short and gray. It’s easy to forget that we are surrounded by natural beauty as we go about our daily lives. It’s an honor to get to see that we aren’t the only creatures sharing this environment. Everyone on that beach, crowded on a sunny Saturday in February, watched those orcas pass. All of us shared in that experience of seeing those tall dorsal fins moving through the water, moving past us with the snow covered Olympic Mountains behind them and the blue sky above.

After the Orca show was over we headed inland and walked in the woods along bluff, armed with our cameras. Corey is a very good photographer, click here for a link to his website. Eden unfortunately forgot her camera. She enjoys it and has a good eye already at 13.It would be interesting to look at Corey and my two sets of photos from the same walk. I’m always zeroing in close and use the macro setting on my camera. Corey definitely looks more at the big picture. Eden and Corey started calling me the “crazy fern lady” after I lagged behind too many times.

On a day like that, filled with sunshine, strong light, and easily access to incredible city parks, it’s easy to remember why we live here.

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crazy fern lady shot

crazy fern lady shot

the view from the bluff

the view from the bluff

tree closeup

tree closeup

my companions

my companions

In the Studio with Leah

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I continued my studio tour the other day by visiting my friend Leah Adams, a neighbor, fellow parent, and felter. Leah has her studio at Ballard Works, a building near the Ballard Locks that houses 19 artist studios and also Sev Shoon Arts Center. Leah originally rented a small studio with a tiny glass block window. She recently moved into a much bigger, light-filled studio with a whole wall of windows. Leah shares the space to make it more affordable and was very lucky to find a studio-mate who works in felt and is a good match. It’s so important when sharing space to find someone who has similar studio habits. I’m sure we all had those roommates in college who left their dishes in the sink.

Leah makes wall hangings, small sculptures, and beautiful nuno felted clothing. She’s also been experimenting with making faux “sheep skins,” felting raw wool to make fuzzy skins that leave the sheep very much alive. But much of her time is taken with the bread and butter of her work: felting kits and felted rocks which she sells in shops and at craft fairs. It’s challenging to transition from her production work to the experimental projects that she finds more creatively fulfilling. We talked about being open to process, not getting frustrated by the time it takes to develop new work, and the bias in the “art” world against people who have to make their living with their “craft.”

Even though felting lends itself to sculpture, wool seems like such a foreign medium to me. I just have no desire to work with it. But I appreciate it’s unique charms. While Leah and I talked she was busy turning shanks of raw wool into fluffy puff balls. These are only the first layer of a piece which will be less than a quarter of its original size.

I bought one of Leah’s scarves at our school auction last year. I love wearing it and always get compliments on it. It’s actually the only scarf I wear that I didn’t make.

nuno felted vest

nuno felted vest

small sculpture

small sculpture

big windows, high ceilings and space

big windows, high ceilings and space

Disappointment

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For me, the hardest part of being an artist is rejection. As artists, it’s so hard just to get past our inner critics and put our work out for the public/curators/collectors to judge. And when we do, we open ourselves up to criticism and rejection. Now I’ve been very lucky, most of the time people ooh and ah, and I get plenty of compliments and encouragement. But when I hear a “no” it’s louder than any accolade.

I applied for the Bellevue Arts Museum Fiber Biennial and I didn’t get in. Yes, it was very competitive and there were many talented artists who didn’t make the cut. Yes, it’s not a reflection on the quality of my work but that it didn’t fit the curatorial vision. Yes, when one door closes another one opens.

Blah, blah, blah.

I’ve been moping around for a couple days, licking my wounds. I think it’s healthy and necessary to a point. We all need to feel those feelings of grief, of disappointment, of the loss of an opportunity. It’s not healthy to stuff our feelings.

Artist Trust put up a link to a Huffington Post article by Karen Atkinson “Reasons for Rejection and What You Can Do About It for Artists.” It’s well worth reading. My favorite quote:

“If you are not getting rejected often, you are not applying for enough things.”

So it’s time to go back to the studio, put on my apron, and make messes until I know what the next thing will be. I need to foster those little shoots of ideas, coddle them until they are strong enough to face the public. I need to make work, apply to shows, and take that risk of rejection.

Nobody is going to come find me in my studio to proclaim me a genius so I better get out there and show them what I can do.

Shibori Class at Made

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coffee and dye nuts

This last weekend I taught a class at Made Sewing Studio, a new business in the Greenwood neighborhood in Seattle. At Made you can sign up for all sorts of classes in sewing. I’m their new dye expert and look forward to teaching classes every month or so.

As well as classes, you can also pay an hourly rate to use the sewing machines, sergers, cutting tables and there’s always someone there to help out with questions and advice. And, as of this weekend, you can also pay the hourly rate to use their dye studio.  I literally christened it this weekend when a container of boysenberry dye slipped out of my hand and splashed the newly painted wall. The dye studio is a great resource for people who want to dye fabric but don’t have the space. The dye room is small but they have a big padded table that’s perfect for printing or working on yardage.

I taught my first class there this last weekend on low-water immersion dyeing and low-tech shibori techniques. I only had three students but they were all great and it was actually good to have a small class while I get used to teaching in a new space.

Because we were doing immersion dyeing and everyone went home with bundles of wet fabric, a one-day class could be unsatisfying because there’s no “reveal.” My brainstorm for this workshop was to have a Sunday morning coffee hour. It gave us a chance to regroup in a more social setting and play show and tell. It was really nice to sit back and look at what everyone had made, talk through processes, and address questions in a relaxed atmosphere.

Studio Visit with Alicia Tormey

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Continuing my January of studio visits, I spent a lovely afternoon with Alicia Tormey last week. Alicia is an encaustic painter and has a studio at Inscape, the old INS building which has been turned into studios and now has 100 artists all working in the same building. Alicia showed me around her very tidy studio which was full to the brim with new art, materials, and inspiration. We also took a field trip around the building and visited a few other artist’s studios. Even though I love my cozy and convenient space, I sometimes get studio-envy of people who work in the big, old, buildings full of history and artist communities they house. I definitely am jealous lately of their high ceilings and vertical space, ie walls, something I don’t really have in my attic space.

Look for Alicia’s beautiful work at Grover/Thurston Gallery. She has just signed on with them after the sad closing of Pacini Lubel Gallery and will have new work in their January group show. I’m excited for her new adventures.

blocks of bees wax

blocks of bees wax

Alicia in her studio

Alicia in her studio

Field Trip to UW

Lou Cabeen

Lou Cabeen in the classroom

Today I had a lovely visit with Lou Cabeen, an artist and surface design professor at the University of Washington. Lou will be one of the presenters at the upcoming SDA Washington Symposium on March 3-4. She has such an interesting perspective, as both a fine artist and an academic. We talked and talked and talked about dye chemistry, the set up at the UW, and fiber in the art world. I think we could have gone on all day.

The excuse for our visit was for me to see the class set up for surface design in the art building on campus. I love my cozy little studio but I am definitely jealous of their space and facility. What I wouldn’t give for one of those long tables sometimes! And the exhaust hood! And that sink! It’s definitely to “dye” for.

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the work tables

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the long, long washout sink

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the dye room!

Slush Bound

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It’s 40 degrees and raining in Seattle, a weather report that most of us here take comfort in, even though it’s not in the least bit “nice” weather. But the snow is turning to slush, people are driving again, and life is beginning to return to normal. The kids are STILL home from school and I’m still home with them.

So what to do with my time inside these walls? Organize my fabric storage, of course!

I’ve got a finite space for storage and it was overflowing. I decided to put the last of my commercial fabrics into deeper storage. I’ll still keep them, there are some nice fabrics and the kids like to do sewing projects, but I don’t need easy access to them. I sorted, shuffled, organized and labeled much of the day yesterday. My dyed fabrics are now neat and easily accessible. And I’ve still got room for more!

before

before

after

after

Snow in the Garden

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the geometry of dried fennel flowers

Surprisingly, our “snow event” has been sticking around. It’s snowing like crazy right now and isn’t supposed to warm up until tomorrow. I guess that means the kids are getting a whole week off from school. Lucky them.

I took a walk to meet a new friend for coffee (Hi Wyly!) and get some groceries. Along the way I found a few photo opportunities. It’s so different shooting in the snow. The light is flat, diffused, and soft. The lack of contrast makes it difficult to get good shots. But then, without the snow, there wouldn’t be any.

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a cascade of grass head icicles

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Hammamaelis blooming under the snow

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hydrangea

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artichoke

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blueberry leaves

a neighborhood cedar

a neighborhood cedar

Seattle Snow

our snow covered back yard

our snow covered back yard

We don’t get much snow here in Seattle. Whenever it’s predicted the kids are glued to the windows, waiting for any sign of flakes. In the last two days we’ve been having a “significant snow event” as the weather men call it. School was cancelled before the first flake fell and everyone’s staying home. The kids spent the whole day outside, cramming all the snow fun into one day as they can, since it’s supposed to start raining again tomorrow.

I took a short walk in the neighborhood and snapped a few photos before returning to the warm indoors. I’ve been taking the time to get my dye book organized but mostly dinking around and doing a jigsaw puzzle. It’s nice to take some time off and recharge my batteries. School’s already cancelled tomorrow, too. By the time the roads clear I’ll probably be pacing the floor and more than ready to get back to the studio. For now, it’s time for surfing the web, sipping tea, and spending time with family.

a gradation of dark to light

a gradation of dark to light

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Back Room Exhibition at Foster/White

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In January the gallery has a Back Room Gala where they clean the preview area from top to bottom, put up as much art as they can tastefully include, and invite their collectors over for some wine and cheese. This year they thought, as long as they were going to all that work, they might as well share it with the public as well. I visited on Friday and snapped a few photos.

It’s still a thrill for me to see my work up at such a beautiful and well-respected gallery. They show a variety of work by artists from emerging to established and the quality of work is top-notch. And the staff is so nice and so supportive of me and my work it makes me pinch myself.

I hope it was a successful night for them with lots of red dots!

back room 2

back room 3