Soundsuit performers waiting to go on
I’m playing a bit of catch up here on the blog. Who would think that some of my busiest time would be after I’ve finished and delivered the art? I’ve been working on a tuneup of the website, taught an intensive this last weekend at Pratt with Larry Calkins, sending out notices for Thursday’s opening, and working on my presentation for Saturday’s Artist Talk at the gallery.
I did take a day off last Wednesday and saw some art. This is an amazing time for fiber art in Seattle. Local galleries are showing more fiber in the last few months: Rachel Brumer’s show last month at Grover/Thurston, a show of surface design by Amy Johnson at Fetherston, Catherine Person has been showing fiber sculpture and will be showing embroidery by Maura Donegan in April, and then there’s my show at Foster/White opening this week. And two of the major museums currently have big fiber exhibits. I went to both the Seattle Art Museum to see the Nick Cave exhibit and to the Frye Art Museum to see the Degenerate Art Ensemble show. Wow! Both shows were really great.
Click the links here to find out more about the exhibits.
Nick Cave, Meet Me at the Center of the Earth at the Seattle Art Museum through June 5, 2011
Degenerate Art Ensemble at the Frye Art Museum through June 19, 2011
Pam McClusky, curator of African Art and Textiles at SAM, has done a great job curating and displaying Nick Cave’s show, Meet Me at the Center of the Earth. I’m a big fan of Cave’s work, Nick Cave the artist not the Australian pop-star. I have a copy of the catalog, Meet Me at the Center of the Earth, from when the show was originally mounted at the Yerba Buena Center for the Arts in San Francisco. I also got to meet the artist last year when he was here in advance of the show to talk about ways to engage the community during the SAM show. A lot of what we all brainstormed didn’t happen, budget woes is my guess, but the Museum has been working with Cornish College and Spectrum Dance Company to stage “Invasions” of dancers performing in some of the suits. I got a chance to see one of the Invasions at the Museum performing along with Orkestar Zirconium the week the show opened. Even after seeing a lot of video footage of the suits it was amazing to see them moving in real life/real time/three feet away. It was incredibly exciting. My cheeks hurt from smiling and my chest felt full from joy. When I talked about it later the word that came to me was “ecstatic”. I took some video with my trusty little Canon PowerShot but so far, I haven’t been able to figure out how to upload it here. So in the meantime, here are a couple links to some professional Nick Cave footage.
Nick Cave-Art in Motion
Nick Cave-Perspective
I like the exhibit quite a bit and I have been hearing from people not familiar with his work that it has blown quite a few minds. It is a large exhibit and very inpressive in both the large scale of the figures and the amount of detail in each one. My only complaint is that the figures are so static. They are made to move and although it’s more alive than seeing them on the pages of a book, it feels as though you’re only seeing half of the picture. There is a room with very nice video projections that gives a sense of their dynamic possibilities but in the time I was there I didn’t see any video I hadn’t seen before on the web. I wanted to see video of every suit so that you could look at it still then press a button and see a small video screen of that suit moving. That would have been amazing. Still, half the picture is much better than nothing and the suits have a presence that fills the room, five rooms actually. So get down there if you have the chance. There’s nothing like seeing it in person.
The other exhibit I saw that day was the Degenerate Art Ensemble. Wow again! This show rocked my socks even more than the Cave exhibit, mostly because I was unfamiliar with their work. They are a collaborative performing group combining dance, theater, innovative costumes/sculpture, and music. The exhibit is sparse but impressive, showing set pieces and costumes in combination with video projection and audio. I found it beautiful and eerie and the DAE will be mounting a performance of the Red Shoes in conjunction with the exhibit. A nice thing about the Frye is that admission is free!
Foster/White Gallery
Today was a big day. Today I took the last stitches in the last piece for Soft Earth, my April Foster/White show. It’s been five months of concentrated work: planning, forming, dyeing, stitching. I’ve been pretty hard on myself (and my family, too) but now I’ve got twenty-one new pieces, thirteen Blades and eight Cotyledons. That averages out to about a piece per week! A good bit of work I’d say.
